www.birminghamspublic.art
Brick
Lane
Art
By Jonathan Berg, Author, Birmingham’s Public Art
I went to secondary
school a couple of miles
from Brick Lane in the
early 1970s. As we
grew into our teens at
an all boy’s school there
was huge pressure to
conform and follow the
fashions. So, it was off
at lunchtime to the
Roman Road for
Brutus and Ben
Sherman shirts and
‘Sta Prest’ trousers. Dr
Martin’s boots and
tassellated loafers were however a Sunday morning
purchase, from the Jewish shoe shops on Brick Lane in
Shoreditch and Whitechapel.
Over fifty years later, it was great to revisit Brick Lane.
Its newer immigrant Bangladeshi community and the
graffiti and street
art adding so
much. During our
short walk it was
a privilege to
meet a team of
street artists
tackling a major
project - see
below. Certainly
of more interest
to me than seeing
the latest Banksy.
At the coffee stop the owner directed us to the Gilbert
and George Centre across the street with his
suggestion: “If the green gates are open just go on in”.
What great advice - they were and we did! First we sat
in the tiny linear cinema to view a good proportion of a
2008 G&G documentary. Then, we headed into the
impressive new galleries set out on three levels.
The G&G Centre is an amazing find and a visit to Brick
Lane should certainly include a visit. Remember the
advice: “If the green gates are open just go on in” and
you will not be disappointed.
Edgy street art and a Brick Lane jungle
The street art of Brick Lane is so much closer to that of
Digbeth in Birmingham than the stuff we recently
experienced on visits to Australia and Singapore. Here,
just as in Birmingham, we see the whole range of graffiti
and street art. Compare that to Singapore, or even to an
extent Melbourne and Adelaide, where there is much
more control over the street art.
It was great to come across some of London’s finest
street artists hard at work on a side street just off Brick
Lane.
Jim Vision was working with a team of street artists who
were rejuvenating a residential area on Buxton Street,
just off Brick Lane. They were turning a space that
certainly felt unloved into a vibrant street art jungle. The
naturalistic jungle theme was certainly subject to
detailed plans. Someone in the team must have had a
schematic on their phone showing how this jungle was
going to end up. All seemed very laid back and calm
considering the large scale of the job in hand.
End of the Line
Jim Vision and his partner Matilda
started the arts initiative, ‘End of
the Line ‘in 2010. Their work in
Birmingham has included the huge
Marvel piece in a Digbeth car park
off Heath Mill Lane. They have
worked for some of the largest
corporates out there but they also
clearly have a real role in
community installations, like this Buxton Street Jungle
(our naming!) It was refreshing to chat to Jim and to see
just what a difference the End of the Line initiative can
have. The image below was from 2022. Since then the
development has changed the barrier to more secure
gates, which should mean that the wildlife will to an
extent be protected from the graffiti taggers.
Graffiti stickers can take on grandiose dimensions on Brick
Lane
Matir Taan - The Land is
Calling
(Mohammed Ali, 2022):
Great to see the Hopetown
Street piece on the corner of
Brick Lane by Birmingham’s
very own Mohammed Ali. As
Mohammed says it is:
“Dedicated to our immigrant
parent generation”.
Commissioned to mark fifty
years of Bangladesh
independence in 2022. The
artist’s video of a boat trip
on a trip to Bangladesh
shows that the boatman is
very much taken from a real
life experience - c
lick the
image to see the video clip.
Crane (ROA, 2010): It is said Belgium artist ROA was
originally intending a heron but saw the significance of a
crane, which is revered and a symbol of good luck in
Bangladeshi culture.
Three Swinging Monkeys (Banksy,
August 2024): In summer 2024 Banksy
art-pieces popped up in various parts of
London, with these stencils on the
bridge close to Shoreditch station
The Gilbert & George Centre (5a Heneage Street, E1 5LJ): An
architectural masterpiece reusing a 19th Century brewery
and nominated for a clutch of architectural awards in 2024.
Free entry - check out opening times here….
The green metal artistic gates next to the Pride of Spitafields
public house mark the entrance to the Gilbert & George
Centre. The building was designed by SIRS architects, and
under the ‘art for all’ banner is free to enter.
Jim Vision x 2 + writing (@JimVision, Buxton Street, off
Brick Lane by the Truman Brewery chimney, Photo taken
Nov 2024,): These two pieces by Jim Vision took my fancy -
little did I know within a minute or so I was going to be
chatting to Jim Vision himself.
Life before the Jungle Buxton Street, E1, 2022: The ad hoc
graffiti did not give a feel for a friendly and safe living
environment. The swinging security barrier has now been
replaced with more secure gates in advance of the street art
installations.
Here comes the
Buxton Street Jungle!
Buxton Street Blue Frog (2024): Images show the team
working on their individual components of this Brick Lane
Jungle. The brick border gives a feel for what is being
replaced.
I want to go back and visit the finished jungle! Thanks to
the artists who allowed me to photograph their works in
progress.
They include: @klonism @laylas.murals and @jimvision
I will try and put their Instagram handles here as I work
them out. Cheers - Jonathan Berg
•
The copyright of all mural and artistic works on this
blog remains of course with the artist - thanks for
allowing me to show them.
Brick Lane is certainly worth a stroll next time
you venture to London.
An itinerary could include:
•
Viewing the street art- especially the newly created
Jungle on Buxton Street, just off Brick Lane.
•
A coffee, followed by a visit to the Gilbert & George
cinema and exhibition. Then why not a curry to finish.
•
You can see more about the work of Jim Vision here and
End of the Line here….
•
The Gilbert and George Centre website is here…..
Play Video
The intimate cinema room is a great space - pop in before you
visit the exhibition area
Other Buying Options
•
Publisher website - Use ‘Buy Now button
above.
•
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title and ISBN:
Birmingham’s Public Art ISBN978 1 7396457 1 7
•
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